Artworks — StudioWalls.org

North Woods Club, Adirondacks (The Interrupted Tete-a-Tete)

Watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper, 1892

Winslow Homer

Stowing Sail

Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper, 1903

Winslow Homer

Life-Size Black Bass

Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed), 1904

Winslow Homer

The Gulf Stream

Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed), 1899

Winslow Homer

The Water Fan

Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper, 1898

Winslow Homer

Croquet Scene

Oil on canvas, 1866

Winslow Homer

After the Hurricane, Bahamas

Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper, 1899

Winslow Homer

The Herring Net

Oil on canvas, 1885

Winslow Homer

Seated Bodhisattva

Wood core, dry lacquer, traces of gold leaf

Grant Wood

Valentine Affection (valentine)

Collaged element and gold and green paint on cut and embossed (designed) ivory wove paper, 1855

Grant Wood

Ideal Pastoral Life

Woodcut on paper

Grant Wood

Shukongojin

Wood with traces of polychromy

Grant Wood

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"

Color woodblock print; oban, 1830

Grant Wood