American landscape painter and printmaker
Winslow Homer was an American landscape painter and printmaker, best known for his marine subjects. Considered one of the foremost painters in 19th-century America.
The Herring Net
Oil on canvas, 1885
The Herring Net (1885) by Winslow Homer. Oil on canvas.
After the Hurricane, Bahamas
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper, 1899
After the Hurricane, Bahamas (1899) by Winslow Homer. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper.
Croquet Scene
Oil on canvas, 1866
Croquet Scene (1866) by Winslow Homer. Oil on canvas.
The Water Fan
Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper, 1898
The Water Fan (1898/99) by Winslow Homer. Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.
The Gulf Stream
Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed), 1899
The Gulf Stream (probably 1899, dated by the artist "1889") by Winslow Homer. Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed).
Life-Size Black Bass
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed), 1904
Life-Size Black Bass (1904) by Winslow Homer. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed).
Stowing Sail
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper, 1903
Stowing Sail (1903) by Winslow Homer. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper.
North Woods Club, Adirondacks (The Interrupted Tete-a-Tete)
Watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper, 1892
North Woods Club, Adirondacks (The Interrupted Tete-a-Tete) (1892) by Winslow Homer. Watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper.
Winslow Homer: Crosscurrents
Metropolitan Museum of Art, New York · Solo
Exposition Universelle
Paris · Group
Art Studies, Drawing
National Academy of Design
Gold Medal
National Academy of Design